May 20, 2017 at Viaport Rotterdam in Schenectady.
If you own a motorcycle of any make and model you are welcome.
Vendors, Live music, Food, Drinks
The gala is our primary fundraiser to support our extensive network of outreach programs. A selection of these activities include in-school programs that bring arts education into hundreds of classrooms; partnerships with Head Start, the Don Bosco Community Center, the Community Resource Center, and the Boys and Girls Club of Greenwich to provide arts education to at-risk youth; free specialized dance classes for seniors who suffer from Parkinson’s Disease; and $25,000 in scholarships for The Rye Arts Center arts classes and lessons.
Organized by committee members and staff, the gala is led by co-chairs: Fiona & Ozgen Dogan, Lisa & Robert Miller, Judith & Bill Passannante, and Nicole & Rob Weber.
In addition to cocktails and dinner, the event will include live music, live and silent auctions. The auction items which include week-long getaways, event tickets, and everything in between will be available for advance online bidding.
There will be a mini-art sale of works by both honorees Bob Clyatt and Brigitte Loritz, and arts activities including mini-sculptures with Terry Taylor and a community painting with Nestor Madalengoitia. Comedian, Kim Berns will conduct “red carpet” interviews for a new show on RyeTV, Rye Witness News with Kim Berns.
About the Honorees:
Bob Clyatt was born in Oakland and lives and works in Rye and Chelsea, NYC. His work has been exhibited in solo shows in Santa Fe and New York as well as group shows around the world. His sculptures are in permanent collections of the Burchfield-Penney museum in Buffalo, NY and Museo Arte Contemporanea Sicilia in Italy. His work has been reviewed in numerous art publications and featured in the NY Times, Wall St. Journal, Fox News and other national media. Bob spent 8 years in formal study of sculpture, centering on his years at the Art Students League of New York under the guidance of Barney Hodes. At The Rye Arts Center he curated Beyond Rodin: Contemporary Figurative Sculpture and has been the driving force behind The Rye Arts Center’s Public Art Initiative.
Brigitte Loritz was born and educated in Switzerland and studied at the Kunstgewerbeschule in Zurich. In the United States, she attended Parson’s School of Art & Design, and has studied under such prominent watercolorists as Ed Whitney, Jane Carlson, Arnie Lindmark, Janet Walsh, Mel Stabin, and Diane Faxon. She has won numerous awards and has exhibited throughout New York, Connecticut, and Switzerland. Her paintings are in private collections around the world. She has taught at The Rye Arts Center for more than 30 years. She conducts workshops in transparent watercolor and mixed media classes for adults and children in various schools in Westchester County.
The Rye Arts Center Gala A Vision In Rye is sponsored by Julia B. Fee | Sotheby’s International Realty, RJT Motorist Services, and Serendipity Labs.
Chairs: Fiona & Ozgen Dogan, Lisa & Robert Miller, Judith & Bill Passannante, Nicole & Rob Weber
Laurie Batal, Rebecca and Cameron Brooks, Jane Canning, Wonda Clyatt, Bonnie Cotnoir, Fred and Barbara Cummings, Suzanne Davies, Elissa DiGiulio, Barbara and Paul Elliot, Milena and Gustavo Fernandes, Anthony Francella, Marilyn and Robert Gasparini, Duncan and Laura Hennes, Lynn and Paul Ingrassia, Robin Jovanovich, Dolly Kacha, Suzanna and Andrew Keith, Diana Keller, Gary and Julie Killian, Laura R. Lavan, Amy and Shaun Lawrence, Suzanne Luckey, Didi McCormick, Candice Miller, Eileen and Richard Neiman, Carole Nelson, Richard and Lisa Pell, Margaret Pinsker, Laurie and Rob Platek, Anne and Don Pollard, Nonie and Chris Reich, Jane Riley, Sian Roath and Richard Lloyd, Paula Schaefer, Kathy Szabo, Ray Tartaglione and Buffie Duncan, Sally Tobin, Paul and Linda Tyler, Annette and Jan Veltman, Alison and Bob Wise
Sale Dates and Times:
Public Onsale : Wed, 21 Dec 2016 at 03:00 PM
The Rave That Must Not Be Named is back and more powerful then ever with bigger sound, more headlining acts, enhanced intelligent lighting, extra themed decorations, and much more!
Super Early Bird Tickets Available Starting May 1st
Proudly presented by Badwolf Buffalo & Rinse 716
in association with Sound Solution & Tandava
More Info TBA
Cervantes’ novel has inspired numerous artists and musicians since its publication just over 400 years ago. Mr. Rohde’s music is sophisticated and complex, exploring color and texture, with tremendous imagination. His writing is characterized by non-traditional harmonic language, at once modern, witty and insightful. A virtuosic violist himself, his writing requires, even celebrates, masterful playing, expanding musicians’ boundaries and ideas.
In the composer’s words: “never was a knight” isn’t opera. It isn’t quite a song cycle either; it’s not a musical or an improvisation. The closest thing that this work resembles is the singspiel (sung-spoken) works of the late Classical period. My setting of the story is told from the point of view of Don Quixote, as he lays near death, in bed surrounded by books, half remembering, half hallucinating the life that has brought him to this point – the moment before his is about to end. Don Quixote (the tenor) is often both reanimated and confused when he recalls a memory. He hears voices, he sees things – the memories seem as real as when the events took place. At times comforting, and at times menacing, the voices of those most dear to Don Quixote throughout his life return not simply to reassure him of his recollection, but perhaps also to say goodbye in their own way.
Cervantes’s “Don Quixote” is a story that seems to have no bottom, no sides. It is an unwieldy, enormous tale. The characters are commonplace and still odd enough to keep us caring. It is the life lived, the life imagined by Don Quixote that shapes the entire existence of the story. The world inside his head is not imagined; it is tactile, represented in everything that surrounds him; it is his identity.
The work starts with Don Quixote dying, and is broken into vignettes, arias, instrumental interludes and recitatives. Each vignette recalls an important event or character (Sancho Panza, the young servant boy) from his life, all while focusing on the poignant longing he has for Dona Dulcinea. His is a unreconciled life. His quest is over the moment he finds a place to stop and remain.
“never was a knight” isn’t opera. It isn’t quite a song cycle either; it’s not a musical or an improvisation. The closest thing that this work resembles is the singspiel (sung-spoken) works of the late Classical period. My setting of the story is told from the point of view of Don Quixote, as he lays near death, in bed surrounded by books, half remembering, half hallucinating the life that has brought him to this point – the moment before his is about to end. Don Quixote (the tenor) is often both reanimated and confused when he recalls a memory. He hears voices, he sees things – the memories seem as real as when the events took place. At times comforting, and at times menacing, the voices of those most dear to Don Quixote throughout his life return not simply to reassure him of his recollection, but perhaps also to say goodbye in their own way.
“never was a knight” was written for and is dedicated to Joe Dan Harper, with great admiration and affection. It is for solo tenor and seven instrumentalists show do a lot more than just play their instruments. The piece lasts 75 minutes.
Kieran Hanlon (double bass)
Joe Dan Harper (tenor)
Anne Kissel (piano)
Roderick MacDonald (trumpet)
David Rose (viola)
Andrew Seigel (clarinet)
Kay Stonefelt (percussion)
Wildy Zumwalt (saxophone)
Kurt Rohde (composer & conductor)
Jennifer Coates (video artist)
A determined dog runs away from home after his owner dresses him in too many ridiculous bows in this hilarious picture book by debut author-illustrator, Samantha Cotterill.
About FEMINIST BABY by Loryn Brantz:
Feminist Baby is a baby who loves being herself—and doesn’t care what you think. From choosing what colors she likes, to what she wears, this irrepressible protagonist combined with the refreshing message of equality and empowerment is sure to appeal to moms and dads that want to raise children who feel inspired to make positive changes in the world—for everyone.
Celebrating 29 years!!
On Thursday, May 18th, 2017, the 29th Annual Developmental Disabilities Awareness Day will be held at The Conference & Event Center Niagara Falls in Niagara Falls, NY.
Professionals from many different area agencies that specialize in services for people with developmental disabilities and similar health related industries will be on hand to provide guidance, literature, and general information about services that the organizations or businesses provide.
The convention, also commonly known as DDDAY!!, has long been a staple of the WNY disability community, bringing together local and regional agencies, industry connected vendors and suppliers, direct support professionals and the individuals that all of these groups support. The conference is the largest one of its kind in the United States and has been growing bigger and more sophisticated with every year.
For more information or to register visit the www.ddday.org and https://dddayofficialblog.wordpress.com/ .
Sale Dates and Times:
Public Onsale : Fri, 9 Dec 2016 at 10:00 AM
Dead & Company Verified Fan Presale : Mon, 5 Dec 2016 at 12:00 PM
Citi® Cardmember Presale : Tue, 6 Dec 2016 at 12:00 PM
Live Nation / Sirius XM Presale : Thu, 8 Dec 2016 at 12:00 PM
Live Nation Mobile App Presale : Thu, 8 Dec 2016 at 12:00 PM
VIP Package Presale : Mon, 5 Dec 2016 at 12:00 PM
VIP Package Public Onsale : Fri, 9 Dec 2016 at 10:00 AM
3D Collector Ticket : Fri, 9 Dec 2016 at 10:00 AM
Citi® Cardmember Preferred Tickets : Fri, 9 Dec 2016 at 10:00 AM
SPAC Gold Patron & Higher Member Offer : Tue, 6 Dec 2016 at 12:00 PM
SPAC Patron Member Offer : Tue, 6 Dec 2016 at 04:00 PM
SPAC Sponsor Offer : Wed, 7 Dec 2016 at 10:00 AM
SPAC Sustaining Member Offer : Wed, 7 Dec 2016 at 12:00 PM
SPAC Life Member Offer : Wed, 7 Dec 2016 at 04:00 PM
Kickoff to Summer Sale : Tue, 2 May 2017 at 08:00 AM
Partita No. 1 in B-Flat Major, BWV 825 Johann Sebastian Bach
(1685-1750) I. Praeludium
V. Menuet I
VI. Menuet II
Four Compositions Frédéric Chopin
Nocturne Op. 9 No. 2 in E-Flat Major
Impromptu No. 1, Op. 29
Étude Op. 10 No. 3 in E Major
Étude Op. 10 No. 4 in C-Sharp Minor
Three Compositions Franz Liszt
Chapelle de Guillaume Tell
Au bord d’une source
Étude No. 3 in G-Sharp Minor “La Campanella”
I. The Story of Our Town
II. Conversation at the Soda Fountain
III. The Resting-place on the Hill
Seven Virtuoso Études (Gershwin Transcriptions) Earl Wild
Étude No. 7 “Fascinatin’ Rhythm”
Étude No. 4 “Embraceable You”
Aaron Copland (1900-1990)
I. Buckaroo Holiday
II. Corral Nocturne
III. Saturday Night Waltz